Unfortunately, our performance in the UK have had to be cancelled due to unforseen reasons of health. We are all fine, and health issues are on the mend, though we still had to sit this one out.
We are in talks about the 2012 DaDa Festival.
Stay tuned, as we are hard at work putting together an upcoming Ontario Tour.
With love and warm wishes for the upcoming cold season
Tuesday, October 5, 2010
It is the Tuesday after our workshop.
There are a number of things that I've wanted to communicate over the course of this time--because, in all honesty, the workshop was very HARD. Sarah and I burnt out half-way through, which left us with no choice but to work on fumes. The Friday before beginning our time in St.Catherines, Kazumi had to back out of the performance--which was very sad for us--but his prior commitment to a documentary he was working on had to take priority. We understood. Kazumi's been a huge part of this workshop and The Book of Judith. He brings a lot of intelligence and experience into the room, not to mention generousity and he's a great performer. But we trekked on ... as we continue to.
The next day, Saturday, we presented the Choir with the latest draft (completed the evening before). We did a work-through in the space ... which was hard. Very Hard. At the end of the work through, the choir, and everyone else (myself included) just wanted to get the hell out of there, back to Toronto--back to safety. Something was not right. Something was not fun.
1. Gywn 2. Lesley
On the ride home, Sarah, Mariah, Wanda and I all spoke about the piece--trying to understand where the holes were. In the car, I started to look through the script ... why was it so hard? Why was it not fun anymore?
And then I get a call from Judith Snow.
"Michael" she says. "I have a fever. I'm in bed sick. I don't think I can come tomorrow".
The next morning she confirms. Judith Snow cannot be in the workshop presentation.
Ok. Breath. Deep breaths. We'll work this out. After all, its not the FIRST time Judith couldn't make it.
And so, we had on our hands a new draft of the play that was NOT FUN, and we no longer had JUDITH SNOW. I looked over at Sarah, and she had her head in her hands. I could almost hear the moans coming from her brain/body. What the hell were we going to do.
"We'll be okay. We always will."
I give her a hug, and we determine that I'll take a look at the script, and try and fix it.
1. Sarah 2. Michael & Mariah
I get in the house, and I stumble across an earlier quote that we used of Judith's. Something like: "Now, the only thing left to do, is to figure out how to do the play without me".
It was like she was speaking to me through my own play.
I will admit that I was also quite tired, and feeling sick and possibly a touch delusional. But whatever the excuse for this visitation, it seemed to do the trick.
I spent the next three hours writing a final draft that helped us find the play of the play. The choir went for being disdainful and aggressive to full-on-cheerleaders ... for the play ... for Judith Snow. Rocky Horris Picture Snow. The choir is the life-blood of the work ... and they are also the representative for Judith Snow in her absence ... and perhaps always have been. Judith tried to tell us, but we've noticed that we have a hard time always hearing Judith Snow. Surprise, Surprise. ARTLIFESHUTUP.
But, as she has before, as she has now, and as she will continue to ... once again, the answer came from her.
The next day in St. Catherines, the Choir communed by around 2:00. We used the next three hours to work through the new draft. An hour to eat--and then the audience came.
And there it was. The play was back. It was not all there, of course, as I was still on book, and there's still some work to be done on the script ... but we've found the play and made it stronger.
And something happened at the end of the performance. Something very profound and more poignant than we could have ever expected. And it could not have happened any other way ... we could not have planned it ... though, it seems like we did ... like John Locke (LOST) says, faith. faith. faith.
Those who know me, know i am not a man of faith ... but those who also know me know that everything I do seems to be an attempt to find/contradict/embrace it.
It was possibly the most poignant experiences in the theatre of my life.
I'd like to tell you what it was. If you were there, you know. If you weren't, we are going to keep it for ourselves ... because we do not want to spoil it ... and we hope it will happen again. It may not, but if it does, we hope you will not see it coming, as we hadn't.
And so. There you go. The Book of Judith is alive once more. It continues to transform us, and audiences.
A few comments from the audience that night were:
"It speaks to the soul and to what is really important in this life."
"Beautiful, beautiful program!"
I’m assuming that Matthew will have his script memorized – very important (this one made me laugh)
The show continues to be as strange, confusing, frustrating, moving, beautiful and exciting. In just over a months time, we take it to the U.K. to continue on.
What happens next is a mystery.
But we are sure of one thing.
It will always be a surprise.
With love and tenderness.
1. Emily 2. Irena
Shots during the performance taken by Jason Cadieux (ECT)
Posted by SummerWorks at 3:28 PM
Saturday, September 25, 2010
Ladies and Gentleman, we are thrilled to announce that the Book of Judith has begun its second life. We have received two excellent pieces of news. The first was an invite from the DaDaFest in the U.K. We will be performing the show twice. Once in Glasgow on Wednesday, November 17th at the Hamilton Townhouse and on Sunday, November 21st at the Sefton Palm House in Liverpool.
We've also received a grant from the Ontario Trillium Foundation for an Ontario Tour of the show--and will be doing a workshop presentation of the newest incarnation of The Book of Judith on Sunday, October 3rd in St.Catherines, Ontario at the Market Square start at 6:00 (see press release below)
Sarah Garton Stanley and I recently travelled to London, England, where we joined forces with Alex Bulmer and did three days of script workshop together in preparation for a continued workshop back in Toronto.
We've been workshopping the piece with some invited members of the original choir back to help us in this next step, as well as Composer, Andrew Penner and Musical Director, Nick Carpenter (from Montreal!) and Wanda Fitzgerald stepping into the role of Pippa (formerly Alex) for this workshop. We're all very excited, and the show has gotten even stronger than it was before.... with some changes to the music, and some changes in the Book!
left to right: Andrew, Steve, Frank, Mark, Kazumi, Emily
left to right: Frank, Mark, Kazumi, Emily, Gwyn, Irena
left to right: Gwyn, Irena, Lesley, Erin, Nick
Stay tuned for more info as it comes our and your way ... because more is coming ... oh yes oh yes.
For Immediate Release: September 20, 2010
For more info contact: email@example.com
The Self Conscious Theatre Company, in association with The Theatre Centre and The Essential Collective Theatre present a workshop presentation of: THE BOOK OF JUDITH
September 20, 2010 – After a sold-out two-week run in downtown Toronto in May 2009, the acclaimed production, The Book of Judith, is preparing an upcoming tour of Ontario and the U.K. Self Conscious Theatre Company, in association with The Theatre Centre and Essential Collective Theatre, are pleased to present a workshop presentation of this very exciting piece of theatre.
“This is not the world I would have designed” – Judith Snow
Performed in St. Catharines’ Market Square, The Book of Judith, created by Michael Rubenfeld and Sarah Garton Stanley, is a musical play about a self-annointed preacher man who is passionately driven to change the lives of others. After a chance meeting with a quadriplegic woman named Judith Snow, theatre artist Matthew Goldberg (Michael Rubenfeld) believes he has “seen the light”. With the help of his director, Shauna Coupland (Sarah Garton Stanley), and her best friend, disabled artist, Pippa McLaren (Wanda Fitzgerald), Matthew has managed to coral a fully integrated group of choristers with and without disability, to help him tell, for the first time, his inspirational, maniacal and deeply suspect tale of Judith Snow. The Book of Judith takes us from innocence to ignorance and through to the other side – a truer place of transformation.
The Book of Judith
Created by Michael Rubenfeld and Sarah Garton Stanley
Directed by Sarah Garton Stanley
Music Composed by Andrew Penner
Musical Direction by Nick Carpenter
Performed by Michael Rubenfeld, Sarah Garton Stanley, Wanda Fitzgerald, The Book of Judith Choir (Gwyneth Baillie, Erin Brandenburg, Mark Brose, Lesley Dowey, Frank G. Hull, Irena Kagansky, Emily Scheer, Steve Schwabl, and Kazumi Tsuruoka) and featuring Judith Snow.
Sunday, October 3rd. 6:00 pm
St. Catharines Market Square (corner of King & James)
For tickets: RSVP to firstname.lastname@example.org
* This is a FREE workshop presentation of the work.
For more info: www.bookofjudithplay.blogspot.com
Posted by SummerWorks at 12:26 PM